Writer’s Voice: Finding Your Voice


Writing is an essential aspect of conveying information in the social dynamics of modern humans. Therefore, writers have to develop useful write-ups that will pass their intended messages to their readers. However, every writer should have their unique voice, something that any experienced reader can identify quickly. For instance, renowned authors such as Joseph Conrad and Ernest Hemingway have defined and unique literary voices that you can recognize.

The Writing Voice Definition

The “voice” in literature implies a rhetorical mix of tone, vocabulary, syntax, and perspective that creates phrases, sentences, and text-paragraphs with a logical flow. As an example, Novels can represent several voices, including those of specific characters and the narrators.   

According to the cheap thesis writing, the differences that exist between a character’s and the author’s voice entail the delivery. A character will have a voice that comes with a unique tone, complete with a particular personality. No two characters can have the same vocal syntax and personality in their dialogue. On the other hand, the author’s voice will come either through the novel’s perspective or via the third-person account. Similarly, third-person storytelling should have a specific uniqueness so that one author becomes distinct from the other. Authors typically use word choice, tone, chapter and paragraph structures, and story pacing to bring out the author’s personality through their writing.

The implication of Voice when Developing a Character.

Novels rely on the author’s wordings to express characterization to the audience. Apart from graphic novels (which have illustrations to drive the point home), the story transforms into words on a piece of paper. Whenever a personality speaks, you derive information about them, and this transcends the subject of the dialogue they address themselves to at that moment. 

The extent of the personality or character’s lexicon

Gauge whether the character has a vast, limited, or average vocabulary.

The character’s regional accent or colloquialisms indicate their geographic origin.  

The character’s method of responding or reacting to conflict. Do the character take charge, or do they cringe, panic, or blame other individuals?

The character’s willingness to converse openly. Can you categorize the character as terse, talkative, or on the fence?  

Three Methods of Developing a Unique and Strong Voice 

  • Choose a unique and consistent voice to use for each narrator. Authors have different reputations, and some got renowned because of their prowess to write in the first person, while others exclusively use narration of the third person.  Additionally, it becomes advisable to stick solely on a third-person or first-person narration and avoid doing both in your write-up to establish an authorial voice. 
  • Decide on how you will write. It can either become formal or colloquial. Try and decide whether you will utilize perfect English grammar or employ regional colloquialisms and phrases.
  • Will dialogue or description drive your novel? It becomes prudent to use either conference or exposition to bring life out of your work instead of adopting both. 


Self-comprehension becomes crucial in understanding and adopting your writer’s voice. So if you had not settled on a voice, use the guidelines provided to pick one and stick by it in your work.


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